BLOODBEAT: Huskies, Hunters & Hygge...

I recently joined Carey Vickers and Aaron M Poe in a discussion of a bad movie everybody seems to like: "Bloodbeat", the oddly appealing 1983 slasher about an orgasm-inducing Samurai ghost stalking hunters in Wisconsin. Along the way, we touch on such bad movie masterpieces as "Manos: The Hands of Fate", "Spookies" and "The Room." (Mentioned in passing is Billy Ballard's deeply felt dislike of Danzig's "Verotica".)

Watch this episode on YouTube: https://youtu.be/iDOrSsu0X64

Listen to the audio-only version of this episode on A Podcast From Beneath's Podbean channel: https://www.podbean.com/ew/pb-iwhwu-1033be0

Follow A Podcast From Beneath on Facebook: https://www.facebook.com/Apodcastfrombeneath/ and on Twitter: https://twitter.com/podcastfrom

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Watch Bloodbeat on TubiTV: https://tubitv.com/movies/549637/blood-beat

Buy Vinegar Syndrome's excellent restoration of Bloodbeat on Blu-ray: https://www.amazon.com/Blood-Beat-Blu-ray.../dp/B075427Q6Q

Experience "Bloodbeat" as an old, washed-out VHS tape: https://youtu.be/qUhaIq3Nbjo

Content advisory: This episode contains brief scenes of horror film violence and discussion of hunting and orgasms. On the other hand, there's a couple of shots of an adorable husky dog. So, something for everyone.

Photos, film clips and poster art used in this episode are the property of the respective copyright holders and are used here for educational and review purposes only.

A Podcast From Beneath is a production of 1313inc.

© 2021 1313inc. All Rights Reserved.

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DEMON RESURRECTION is now on TubiTV!

DEMON RESURRECTION has finally arrived on TubiTV. Watch it free now: 

https://tubitv.com/movies/597288/demon-resurrection

Stream DEMON RESURRECTION now on Amazon Prime...

Stream DEMON RESURRECTION now on Amazon Prime...

www.amazon.com/gp/video/detail/B01MTT7OLT/

NIGHT OF THE LIVING DEAD: A Discussion of Romero's Original Trilogy

Few films have left an impression on me as deep and lasting as George A Romero's NIGHT OF THE LIVING DEAD (1968) and its sequel, DAWN OF THE DEAD (1978), so I was delighted when Carey Vickers and Aaron M Poe invited me back to their podcast to discuss those films and the impact they've had on indie filmmaking, the horror genre, and on our culture as a whole. Along the way we touch on films that may have inspired Romero's work, as well as films and television shows that were inspired or influenced by it, including my own film, DEMON RESURRECTION (2008).

Watch this episode on YouTube: https://youtu.be/yzLs6Ia4KPY

This YouTube video is approximately 90 minutes long and contains spoilers. It does NOT contain advertising.

An audio-only version of this episode of A PODCAST FROM BENEATH is available here: https://www.podbean.com/eu/pb-vjez5-f3d788

Follow A PODCAST FROM BENEATH on Facebook: https://www.facebook.com/1313incproductions/ and on Instagram: https://www.instagram.com/1313incproductions/ and Twitter: https://twitter.com/PodcastFrom

NIGHT OF THE LIVING DEAD (1968), which is in the public domain, can be viewed for free on the Internet Archive: https://archive.org/details/NightOfTheLivingDeadHD

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Facebook: https://www.facebook.com/williamfhopkins/

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Watch my film, DEMON RESURRECTION, on Amazon: https://www.amazon.com/gp/video/detail/B01MTT7OLT/

Correction: In several instances in the video, the year of release of DAWN OF THE DEAD is mistakenly listed as 1979. The film was released in 1978.

TASTE THE BLOOD OF HAMMER - A Roundtable Discussion of Hammer Horror Films

Just before Halloween, I was invited back to 'A Podcast From Beneath' to participate in another discussion of old films, this time focusing on the gothic horror output of the legendary Hammer Studios, and especially their Dracula and Frankenstein films. Joining me is Erik K Myers, director of "Butterfly Kisses', and podcast hosts, Carey Vickers and Aaron M Poe. 

It may seem frivolous, given the troubled times we're living through, to be engaging in an impassioned, two-hour discussion of something as trivial and inconsequential as old horror movies. On the other hand - for some, at least  - it might provide just what's needed: a brief but welcome escape into a world of fantasy. Which is really what Hammer was all about.

Enjoy :)

Watch this episode on YouTube: https://youtu.be/fu8xBSstdIA

Here are some notes about the Hammer films discussed in this episode, along with information about where you can stream them online:

- The Curse of Frankenstein (1957): The first in Hammer's Frankenstein series. An enormously successful (and controversial) film in its day – and it still holds up very well even now. Buy or rent the film on YouTube here: https://youtu.be/FCNrxjaVf2M

- The Horror of Dracula (1958): The first in Hammer's Dracula series. Inventive script by Jimmy Sangster; clever direction by Hammer's best director, Terence Fisher; beautiful cinematography, sets, costumes. And a rousing, memorable climax that Hammer never topped. One of the top five Dracula adaptations. Buy or rent on YouTube: https://youtu.be/atQr_Eac11k

- The Revenge of Frankenstein (1958): The second in Hammer's Frankenstein series. A smart, well-crafted follow-up to the first film. Buy or rent on YouTube: https://youtu.be/IkXx3MeZNvU

- The Brides of Dracula (1960): The second in Hammer's Dracula series. A lavish, colorful, fast-paced gothic melodrama that doesn't suffer at all from the absence of Dracula himself. A favorite of mine; I think it's one of Hammer's best. Buy or rent on YouTube: https://youtu.be/NEQHTxU63ls

- The Evil of Frankenstein: (1964): The first of the Hammer Frankenstein films to be produced in cooperation with Universal (who made the original Frankenstein in 1931). With an infusion of cash from Universal, this is one of most visually impressive of Hammer's Frankenstein films, with great sets that recall the Universal original. But the monster is one of the weakest of the Hammer series and the script is not up to par. Not one of Hammer's best but still enjoyable. Buy or rent on YouTube: https://youtu.be/cTyJWBF22zA

- Dracula: Prince of Darkness (1966): Christopher Lee returns to the role of Dracula - though he has no lines and is only briefly onscreen - in the third film in Hammer's series. Very well produced, and for once a genuinely suspenseful and even scary Dracula film. Not available for streaming on YouTube as far as I can see, but the DVD and Blu-ray can be found on Amazon: https://www.amazon.com/Dracula-Prince-Darkness-Collectors-Blu-ray/dp/B07GW2P9RF/

- Frankenstein Created Woman (1967): An off-beat entry in Hammer's Frankenstein series. Not the best of the series, but surprisingly well-done and enjoyable. Not available for streaming on YouTube apparently, but the DVD/Blu-ray can be found on Amazon: https://www.amazon.com/Frankenstein-Created-Woman-Blu-ray-Cushing/dp/B07PL9PY4X/

 

- Dracula Has Risen From the Grave (1968): Fourth in the Hammer Dracula series, with Christopher Lee returning in the role of the Count. Entertaining, smart, fast-paced. Lee is only on screen briefly and has little dialog, but his snarling, red-eyed, demonic appearance in this film (and it's follow-up) are probably the reason he came to be thought of, by a generation of film fans, as the ultimate screen Dracula. Apparently, at the time this was Hammer's highest grossing film. Buy or rent on YouTube: https://youtu.be/s9gGa4t4sHc

- Taste the Blood of Dracula (1970): Christopher Lee had determined not to play Dracula again, so Hammer cast Ralph Bates as his replacement for this film. (Also in 1970, Bates briefly replaced Peter Cushing in Hammer's Frankenstein series.) But at the last minute Hammer managed to change Lee's mind, so here he is again - with Bates shifted over to the role of Dracula's would-be acolyte. Beautifully shot, fun, solid Hammer entertainment, though not the best of the Dracula films. One of two (!) Dracula films Hammer released in 1970. Buy or rent on YouTube: https://youtu.be/VjoPIXZW09Q

- Scars of Dracula (1970): Christopher Lee is back again in one of the weaker entries in the Dracula series. Handsomely produced and not devoid of entertainment value, but it often feels tired and tedious, with occasional bursts of unnecessarily brutal violence. Lee, though, has more screen time and dialog in this entry than any of the other Dracula films he did for Hammer. After this one, Warner Brothers, which was financing and distributing Hammer's films in the US, insisted they bring the Dracula character into the modern world, so this is the last "period piece" Hammer Dracula film in which Lee played the Count. Buy or rent on YouTube: https://youtu.be/ZMbH-KyHsXs

- Frankenstein Must Be Destroyed (1970): One of the best of the Hammer Frankenstein series. Fast-paced, beautifully shot and performed, with a smart, inventive script. A favorite of mine. Buy or rent on YouTube: https://youtu.be/cI-fG0Ov2Pc

- The Horror of Frankenstein (1970): Widely viewed as a misstep when it was released, this is Hammer's attempt at a parody of their own films. (Possibly, a reaction to the popularity of Andy Warhol's Frankenstein and Roman Polanski's Fearless Vampire Killers, which were both open and unabashed homage/parodies of the Hammer films.)  I think Ralph Bates is a worthy stand-in for Peter Cushing and I think the film is smart and funny, though it clearly is not the best of the Hammer Frankensteins. Incidentally, that's David Prowse as the monster. He would go on to play Darth Vadar in Star Wars. He's wearing a significantly skimpier costume here. Buy or rent on YouTube: https://youtu.be/yU_D11OlNSs

- Dracula A.D. 1972 (1972): First of two Hammer Dracula films set in the 1970s. This is the film Marvel comics appears to be imitating with its Tombs of Dracula books. The first fifteen minutes of the film, which appear to be more inspired by A Clockwork Orange than anything else, are idiotic and annoying, but the film as a whole is an example of the kind of colorful, dynamic genre storytelling that Hammer excelled at, even at this late stage. Peter Cushing gives a master class in the use of cigarettes and other props in screen acting. Sexy, beautiful, Caroline Munro also makes an appearance here. She would go on to appear in Hammer's Captain Kronos, Vampire Hunter, as well as the Bond film, The Spy Who Loved Me, and Ray Harryhausen's Sinbad film, The Golden Voyage of Sinbad. Dracula A.D. 1972 is apparently a favorite of Tim Burton. The musical score, which was derided as being wildly inappropriate for a Dracula film when the film was first released, has now developed a cult following, as has the film itself. Buy or rent on YouTube: https://youtu.be/AUu7bUIUGNU

- The Satanic Rites of Dracula (1974): The last appearance of Christopher Lee as Dracula in a Hammer film. And the last time Lee would play Dracula to Cushing's Van Helsing. (Cushing would go on to play Van Helsing in one more Hammer Dracula film, Legend of the Seven Golden Vampires.) This film's story follows directly from the story of the previous film, which is unusual for Hammer. (They usually didn't stress perfect continuity in their Dracula or Frankenstein series. ) I think I prefer this one to Dracula A.D. 1972, but both are fun, colorful and reasonably fast-paced, though the stories in both films are illogical and border on the silly. One aspect of The Satanic Rites of Dracula inspired a key plot point in my film, Sleepless Nights. Joanna Lumley, who would go on to achieve fame in the popular Brit comedy show, Absolutely Fabulous, plays Van Helsing's daughter here. Buy or rent on YouTube: https://youtu.be/J2H1ZO0gups

- Frankenstein and the Monster from Hell (1974): A return to form for the final entry in the Hammer Frankenstein series. After the commercial and critical failure of the series' attempted reboot, Horror of Frankenstein, Ralph Bates is out and Peter Cushing is back as Baron Frankenstein. This is a smart, well-crafted finale for the series, though it's an unusually grim and bleak film for the series, and the monster (once again played by David Prowse) is one of the more absurd iterations of the monster. Buy or rent on YouTube: https://youtu.be/_Lb4nFlf2Rw

- The Legend of the 7 Golden Vampires (1974): The last of the Hammer Dracula series, with Peter Cushing back for a final turn as Van Helsing. This unusual mash-up of two exploitation film genres (decades before From Dusk Till Dawn) was the result of a co-producing deal between Hammer and Sir Run Run Shaw, the legendary Hong Kong film producer. Surprisingly well-done and entertaining, especially if you're a kung fu film fan. The appearance of John Forbes-Robinson as Dracula gives the film its most disappointing aspect. Heavily made up and speaking in a ridiculously ominous voice, he looks less like Christopher Lee's Dracula and more like someone made up for Halloween trick-or-treating. The film struggled to find distribution in the US, as was the case with Satanic Rites of Dracula. Both were eventually re-cut, retitled and dumped on the market by "Dynamite Films," an exploitation film distributor. After Dynamite Films went out of business, both Satanic Rites and 7 Golden Vampires entered into the public domain, a status they have been rescued from by Warner, which has asserted its copyright and recently released Blu-ray editions of the films. Hammer would make just two more films after Legend of the 7 Golden Vampires: To the Devil, A Daughter, with Christopher Lee and Richard Widmark, and a remake of Hitchcock's The Lady Vanishes, with Elliot Gould and Cybil Shepard. Watch FOR FREE on YouTube: https://youtu.be/eA_L4L0qrAs

- Captain Kronos, Vampire Hunter (1974): This quirky, off-beat Hammer vampire film was directed by Brian Clemens, who wrote and produced The Avengers, for British TV. (He's responsible for casting Diana Rigg as Mrs. Peel.) The film shows the influence of the Sergio Leone spaghetti western films and may itself have served as an influence on Marvel's comic and film series character, Blade. Interesting and memorable.  Buy or rent on YouTube: https://youtu.be/xITx9gIqQks

- Quatermass & the Pit (1967): One of Hammer's best, based on Nigel Kneale's groundbreaking British TV serial. Science fiction with supernatural horror overtones. Loaded with great ideas. Echoes of this film can be seen in The X-Files among other TV series and films. Well performed and shot. A favorite of mine. Not available on YouTube, but the DVD/Blu-ray can be found on Amazon: https://www.amazon.com/Quatermass-Pit-Blu-ray-Andrew-Keir/dp/B07NNMJK3J/

- The Mummy (1959): While Hammer's first two big hits, Curse of Frankenstein and Horror of Dracula, were ostensibly adaptations of novels in the public domain and not sequels or remakes of Universal's classic horror films from the 30s, the studio's great success led to collaborations with Universal, such as Evil of Frankenstein, and licensing arrangements that allowed them to remake Universal's copyrighted material. Universal's 1932 film, The Mummy, was not based on a novel in the public domain, it was an original screenplay that led to a franchise that has so far resulted in ten movies from 1932 to 2017, so Universal unquestionably owned the copyright to the story and characters, and when Hammer decided to add The Mummy to their roster of monsters, they needed a licensing arrangement with Universal. They got one, which allowed them to use characters and plot points not just from Universal's first Mummy film, but from several of its sequels. In return Universal got the distribution rights to the film, which was so successful in its original release that Hammer ended up cranking out three sequels, the last one hitting the screens in 1971.

I have to admit that while I revere the 1932 Universal original, I was never a fan of any of the Universal Mummy sequels, which I considered tedious, and so the 1959 production of The Mummy was one Hammer film I avoided, never seeing it as a child, teenager or young adult. In fact, I only saw it for the first time about two years ago. I sought it out, finally, because I had begun to develop a special appreciation for the work of director Terence Fisher. I'm glad I did, because it's definitely in the front rank of Hammer films. It has the lavish, richly colorful look that was by then a hallmark of Hammer productions; it's smart, well-paced, tightly scripted and has a surprisingly nuanced performance, by Christopher Lee, of the title character. In his portrayal of the creature in Curse of Frankenstein and the Count in Horror of Dracula, Lee showed that even when he had little or no dialog, he could bring a degree of depth to monster characters through physicality alone, and he does the same here. He's very much the rampaging monster at times, but his eyes and his body language create an impression of a mummy that has thoughts, emotions and dimensions to its personality that aren't even hinted at in the Universal sequels or in Hammer's own sequels. (In two of Hammer's Mummy movies, the mummy's face is hidden behind bandages, so no emoting is necessary.)  Buy or rent The Mummy (1959) on YouTube: https://youtu.be/uojNB-SbDEo

- The Devil Rides Out (1968): This may be my favorite Hammer film. It's another Terence Fisher film, and another with Christopher Lee in the lead. It's based on a terrible novel by a terrible writer, Dennis Wheatley, but the screenwriter, Richard Matheson (of I Am Legend, Duel, Hell House and Twilight Zone fame) does a terrific job of finding all that is exciting, suspenseful and entertaining in the novel, while weeding out most of the dumb, racist, reactionary stuff Wheatley was famous for. (While he's almost entirely forgotten today, and his books are largely out of print, he was, for a time, one of the best selling authors in the English language.)

Charles Gray plays cult leader Mocata with great elan, giving the screen one of its most urbane villains. (He would later bring his wit and style to the role of Blofeld in the Bond film, Diamonds are Forever.) And as the film's hero, Lee - for once - has an enormous amount of dialog, which he delivers with speed and style, punctuating each line with flourishes of his hands and eyebrows. One could say this is "hand and eyebrow acting" at its most entertaining. 

The film was not a big hit for Hammer when it came out. 1968 was the year of Rosemary's Baby and perhaps critics and audiences found The Devil Rides Out a bit too old-fashioned. But I love it, for all its absurdities and melodramatic excesses. Not available for streaming on YouTube, but the DVD/Blu-ray is available on Amazon: https://www.amazon.com/Devil-Rides-Out-Blu-ray/dp/B07TMRRRL4/

- The Hound of the Baskervilles (1959): The same year Hammer's first Mummy movie came out, Hammer released its one and only Sherlock Holmes adaptation. Seeking to capitalize on their newfound fame as purveyors of horror product, they naturally turned to the Holmes adventure that had the most pronounced supernatural overtones, The Hound of the Baskervilles. Their biggest star, Peter Cushing was a natural choice to play Holmes, and he does so with great wit, style and energy. (He would go on to play Holmes in a BBC series in 1965.) Their other biggest star, Christopher Lee, got a lesser role in the film, not as Watson but instead as Sir Henry Baskerville, the film's romantic lead. (He'd go on to play Holmes in a 1962 German film, with Terence Fisher directing, and in two leaden American TV movies in the early 90s.)

I've always thought of the Universal 1939 version of this story, with Basil Rathbone, as the definitive film version, but I've always enjoyed this one as well. Cushing is in the upper tier of actors who have played the character, and the film itself, like most of the best Hammer films, is colorful, fast moving and stylish.

Buy or rent on YouTube: https://youtu.be/wMwMGhZBAJU

Here are Carey Vickers' picks for top Hammer Horror:

1. Horror of Dracula (1958) 

2. Dracula, Prince of Darkness (1966)

3 The Vampire Lovers (1970)

4. Lust for A Vampire (1971)

5. Twins of Evil (1971)

Here's Aaron M Poe's choices:

1. Dracula A.D. 1972 (1972)

2. Twins of Evil (1971)

3. The Satanic Rites of Dracula (1974)

4. Frankenstein and the Monster from Hell (1974)

5. Horror of Dracula (1958)

And here are my top Hammer picks: 

!. The Brides of Dracula (1960)

2. Quatermass and the Pit (1967)

3. The Devil Rides Out (1968)

4. The Curse of Frankenstein (1957)

5. The Horror of Dracula (1958)

6. The Mummy (1959)

7. Frankenstein Must Be Destroyed (1969)

8. Dracula, Prince of Darkness (1966)

THE OMEN Roundtable with DEMON RESURRECTION director William Hopkins

Carey Vickers and Aaron Poe brought Erik K Myers and myself back to A Podcast From Beneath to tackle another 70s horror franchise, THE OMEN.

Our discussion covers the admirable first film, the passable second film, the misguided third film, the hilarious fourth film, and the abysmal 2006 remake. Along the way, we touch on David Seltzer's novelization, lapses in logic in the first film's script, the antichrist's unusual taste in statuary in OMEN III, and Robert Foxworth's hairdo. Enjoy :)

Warch this episode on YouTube: https://youtu.be/89L0Xzi7uwY

You can listen to an audio-only version of this episode here: https://www.podbean.com/ew/pb-k6cqv-ef462e/ 

You can follow A Podcast From Beneath on Facebook: https://www.facebook.com/1313incproductions/ and on Instagram: https://www.instagram.com/1313incproductions/ and Twitter: https://twitter.com/PodcastFrom

You can watch my indie horror film, DEMON RESURRECTION on Amazon: https://www.amazon.com/gp/video/detail/B01MTT7OLT/ref=atv_dp_share_cu_r‬

I'm currently in the process of reediting my indie vampire film, SLEEPLESS NIGHTS, and I hope to be able to make it available in 2021. Updates on my progress will be posted on this blog and on Facebook: https://www.facebook.com/williamfhopkins/ and on Twitter: https://twitter.com/WilliamFHopkins/

Erik's film, BUTTERFLY KISSES, is currently on TubiTV. Be sure to check it out: https://tubitv.com/movies/475202/butterfly_kisses

THE EXORCIST Roundtable with DEMON RESURRECTION director, William Hopkins

‪I was recently invited back on Carey Vickers' A PODCAST FROM BENEATH to discuss THE EXORCIST and its sequels. 

In addition to the show's regular crew, Aaron M Poe and Billy Ballard, we were joined by Ain't It Cool News writer and Exorcist franchise expert, Erik Kristopher Myers, who brought to the conversation the information and insight he's gained from years of research into the subject, including his extensive interviews with William Peter Blatty, William Friedkin and Paul Schrader.‬

‪We all met up via Zoom to discuss the franchise and this was the result, presented here in something approaching living color...

The conversation, which was originally scheduled to run for an hour, ending up going well over two hours, but as much ground as we covered, there's still a lot about the franchise we never got around to, so maybe there'll be a sequel to our discussion at some point. I hope so.‬ (Update: I'll be posting our two-hour discussion of THE OMEN franchise soon, and a roundtable discussion of Hammer Films is upcoming.)

‪Thanks again to Carey for having me on the show. It was great fun and I learned a lot. ‬

Watch this episode on YouTube: https://youtu.be/r7vXfMiAeCw

Listen to an audio-only version: https://youtu.be/fRIv8mJ1lDw

Listen on Podbean:  https://apodcastfrombeneath.podbean.com/e/the-exorcist-round-table/

Incidentally, Erik's film, BUTTERFLY KISSES, is currently playing (for free) on TubiTV. Be sure to check it out: https://tubitv.com/movies/475202/butterfly_kisses

And my film, DEMON RESURRECTION, is still available, for free for Prime members, on Amazon: https://www.amazon.com/Demon-Resurrection-Alexis-Golightly/dp/B01MTT7OLT

Also, be sure to follow Carey's page on Facebook: https://www.facebook.com/1313incproductions

15 Years of DEMON RESURRECTION...

As September, 2019 comes to a close, I wanted to make note of a certain anniversary...

FIFTEEN YEARS AGO this month, in September of 2004, in a remote area of Long Island, I found myself working with a very talented team of actors and artists on my second feature film, the indie zombie epic, DEMON RESURRECTION.

While the shoot was a terrific experience, the film itself was not a great commercial success in it's initial release, coming out just as the home video market began to change, video rental stores began to close and the demand for low-budget, shot-on-video productions – especially those shot in standard definition – began to decline.

But then streaming video became a thing, and DEMON RESURRECTION, in a new HD widescreen version, took off and has continued to thrive online to this day, reaching a wider audience worldwide than ever before and showing every sign that its viewership will continue to grow.

On this, the 15th anniversary of the film's production, I want to thank our wonderful cast and crew for bringing to it all their talent and dedication. I realize that for many people who aspire to success in the film business (or any business), coming to be associated with low-budget horror – which generally isn't regarded as a particularly reputable genre - may not be the most desirable career development. So to those on our team who have continued, through thick and thin, to stand by us and voice their support for the film, I offer my sincere thanks and appreciation.

Thanks should also go to all those critics, bloggers and fans who have continued to express their enthusiasm for DEMON RESURRECTION online. Many of these reviewers have discovered the film on Amazon Prime or other streaming platforms and come to it without any prior awareness of it or preconceptions about it, so their positive response is especially heartening.

(Incidentally, if you're interested in reviewing DEMON RESURRECTION for your website, blog, vlog or publication, please message me on Facebook or on Twitter for a free screener.)

As I write this, Halloween is not far off and, needless to say, DEMON RESURRECTION is an excellent choice for holiday viewing...

AMAZON PRIME members can watch for free here: https://www.amazon.com/dp/B01MZXWKBT

You can also rent or buy DEMON RESURRECTION in a special deluxe package which includes the full film in 1080 HD/Widescreen and SD/Standard Screen versions, an audio commentary track with the film's director and co-producer, a 30-minute "Behind the Scenes" featurette, and over 30 minutes of interviews with cast and crew. Get the deluxe package here: https://dresurrection.vhx.tv

Copies of the 2010 standard definition DVD of the film's original cut can still be found here: https://ebay.us/U8Docg

THANKS AGAIN to everyone who has contributed to the success of DEMON RESURRECTION!

– William Hopkins
Director, DEMON RESURRECTION

PS: For those interested in taking a further trip down memory lane, the film's complete production blog can be viewed here:

https://www.williamhopkinsfilms.com/p/making-demon-resurrection-working-in.html

#demonresurrection #williamhopkins #edwardwheeler #bashirsolebo #lauriemiller #horror #zombies #supernatural #supportindiehorror

DEMON RESURRECTION director William Hopkins interviewed by Carey Vickers on A PODCAST FROM BENEATH...

I had the pleasure of speaking with horror movie podcaster Carey Vickers on his A PODCAST FROM BENEATH show recently, and had a great time chatting about my film, DEMON RESURRECTION – which went into production almost 15 years ago. My thanks to Carey for all his kind words about the film, and for giving me the opportunity to reminisce about it. With his great skill as an interviewer, he manages to make me sound almost coherent :) You can listen to the interview here: https://www.podbean.com/ew/pb-t6zi4-b75c1b Thanks, Carey! – Bill Hopkins

https://www.podbean.com/ew/pb-t6zi4-b75c1b

Update: Sleepless Nights Revamped...

Work is continuing on the new version of Sleepless Nights, and while considerable progress has been made in the past few months, there's still much more to be done...

When I first announced, back in the spring of this year, that a new, remastered edition of my 2003 film, Sleepless Nights was on the way, I estimated that all work could be completed by October of 2019. But as I've gone deeper into the reediting process, I've found many more opportunities to improve the film than I originally expected.

Jacqueline Anderson and Matt Thomas

At first I thought the scope of the work I could do would be limited by the materials I had at my disposal. I was still in possession of most of the footage that was used in the original cut of the film, and I assumed I would have to do the new version using just that footage. But Frank Cilla, the film's executive producer, was able to supply me with a complete set of tapes of all the footage that was shot for the film back in the period 1999 - 2002. And in reviewing that footage, I could see that my editing options had expanded considerably.

Whether casual viewers will be able to detect what has been changed from the original version, and whether those changes will be recognized as improvements, remains to be seen. But this is probably the last time I will be revisiting Sleepless Nights in my lifetime, so I see this as one last chance to fix longstanding technical problems, improve pace, performances and special effects, and in general bring the film closer to what I originally hoped it would be.

Sleepless Nights star, Jacqueline Anderson

In looking at what has been done so far on the film – and I'm now a little more than halfway through the process – I'm confident the new edition will be a great improvement over the original release. But the work that remains to be done will take time, and I'm guessing Sleepless Nights Revamped won't be completed till late summer of 2019.

Frank and I had originally planned to raise money on Indiegogo to fund work on the film and its eventual release on Blu-ray and DVD.  But crowdfunding is a laborious and time-consuming process (if it's done right) and I decided I'd rather put my time and effort into the work itself. So the Indiegogo campaign has been postponed for now. If anyone is interested in expressing their support for the work we're doing, please reach out to me and I'll be happy to tell you how you can help.

Frank and I extend our sincere thanks to all those who have assisted us in this project so far, most especially the film's producer, Howard Nash, whose cooperation and support have been essential.

Happy holidays to all. More Sleepless Nights news to come in 2019, so stay tuned : )

– William Hopkins

PS: About the accompanying photos... These are stills taken by executive producer Frank Cilla with a film camera (remember those?) of cast and crew on location during the production of Sleepless Nights, back in 1999. Hopefully they'll bring back a few pleasant memories for those who were there : )